The Goldfish is a sumptuous, surreal exploration of femininity. The poet inhabits the voice of a goldfish through a series of linguistically experimental poems which plunge us into the glass bowl and invite us to gaze out.
The poems are in turn sensual, spiky, and queasy, as the poet satirizes the patriarchy and issues a rallying cry for women broken down by society. Halfway through the book, the scope opens out to the world beyond the goldfish bowl, via the story of a free spirit passing through customs, a paean “to our white husbands”, and a letter which heals old wounds.
‘This pamphlet sings with sound.’ – Sphinx
‘Ayuning Maharsi Degoul’s explorations play with the “inhuman” qualities of the fish but also evoke the realistic condition of a woman being constricted because of her limited environment. Her anger and disillusionment are expressed in continuous provocations that envisage sheer rebellion and suggest alternatives.’ – Carla Scarano D’Antonio, Tears in the Fence